Showing posts with label Self Esteem. Show all posts
Showing posts with label Self Esteem. Show all posts

Tuesday, 26 July 2022

The 2022 Mercury Prize shortlist

Photo by Li Zhang on Unsplash

The Mercury Prize shortlist has just been announced (you can view the full list here) and I am, frankly, intrigued by this years selections. 

They range from Gwenno's Cornish language folk rock album Tresor to Wet Leg and Self Esteem to Harry Styles, via Little Simz and Kojey Radical. The inclusion of Nova Twins also makes me wonder if someone on the selection panel has been made aware of the work of the Hercury Prize in recent years.

Now that the list is out, speculation will inevitably start as to who the winner will be when the ceremony takes place in September, and the bookies will be drawing up their lists and odds. At this moment in time, my gut is saying Self Esteem might win, but in reality, the field is actually wide open.

Why? Because, with the exception of Little Simz (who was also shortlisted for her debut album), none of the  shortlisted artists have ever been nominated before. And that's important because statistics show that artists nominated for the first time have a greater chance of winning than those who are being nominated for the first, second, third, fourth or fifth time. 

Seriously: They do.

Since the first Mercury Prize in 1992, 30 prizes have been awarded. Of those 30 awards:

24 artists won the award on their first nomination

3 artists won on their second nomination

2 artists won on their third nomination

Only one artist has ever won more than once, and that is PJ Harvey. She was first shortlisted in 1992 for her second album, Rid Of Me, was shortlisted again in 1995 for To Bring You My Love, and won for the first time in 2001 for Stories from the city, stories from the sea which was her third nomination. Her fourth nomination came in 2011 when she won an unprecedented second time with Let England Shake

With the exception of PJ Harvey (who is already an exception because she'd won before) nobody has ever been shortlisted for a fourth time and won.

Similarly, no one has ever been shortlisted for a fifth time and won.

And no one has ever been shortlisted more than five times.

In terms of whether it matters if you're being nominated for your first album, or a later one, this doesn't seem to have any bearing on winning. It's the status of first time shortlister that really counts. 

Thinking about it, it does make sense: Completely new or fairly new artists are more likely to be first time shortlisters and that means that there's not only a buzz around them but that they sound new and fresh. Wet Leg, who are nominated for the first time this year, would very much fall into this category. 

In past years, the Mercury Prize has been criticised for being too white and too male. When you break the stats down, the prize has been won by:

11 female artists or mixed gender acts

19 male acts

Similarly, of the 30 awards handed out so far:

11 BAME artists have won

19 white artists have won

As with all previous years, it will be interesting to observe how these debates play out this year. This years shortlist is still very white, but there are four BAME artists on it. There's also 7 female artists, if we count Jessie Buckley's collaboration with Bernard Butler. 

Another criticism that has been made concerns the entrance fee, which is £175 plus VAT. Which, despite the boost in sales and publicity Mercury nominated albums and artists receive, is a lot of money for small labels to fork out and may well impact the musical variety and diversity of the albums being put forward at the pre-shortlist stage of the awards process. Personally, I would have loved to see Gazel's Gazel's Book Of Souls be put forward for the 2020 prize, but it wasn't, and I completely understand why. It's easy to assume that others have also been put off paying as well.

Just in case you're wondering about some of the stats I've quoted, I can confirm that I worked them out for myself using information on previous shortlists that is available on the Mercury Prize website. If you want to check my working, please do. 

In terms of those who have been nominated the most without winning, Radiohead continue to hold the crown for this with 5 shortlisted albums and no wins. They are followed by Laura Marling who has 4 shortlisted albums and no wins. There's also 7 artists now who've been shortlisted 3 times without winning and, if record labels are playing the game, these stats are probably being taken into consideration when it comes to deciding whether to put an album forward for consideration or not.

If you are an artist being nominated for a fourth time, my advice would be to weigh up whether you want to attend the ceremony at all and, if you decide to do so, then go, do a good performance, have a good time... but don't bother to write an acceptance speech.

No one is being shortlisted for the fourth time this year, so this isn't going to be a dilemma anyone is going to have to face in 2022, but it may crop again in future years. Or not.

Thursday, 30 December 2021

Song of the year, number 1: Self Esteem - I Do This All The Time (Official Video)


Part modern day take on Baz Luhrman's cult classic 'Sunscreen', part diary entry, part eloquent riposte to casual sexism and Rebecca Lucy Taylor's critics, part life affirming uplifting anthem, 'I Do This All The Time' is the perfect sound of 2021. It features Taylor's trademark bracingly honest lyrics and deadpan South Yorkshire delivery and combines it with the Self Esteem signature sound of uplifting harmonies, rousing choruses and clever pop. An odd hit in some ways, but a very timely one. 


Thursday, 5 August 2021

Self Esteem - I Do This All The Time


Perhaps THE song of the year, Rebecca Lucy Taylor's opening shot from her soon to arrive second album, Prioritise Pleasure, takes it's inspiration from Baz Luhrman's 'Sunscreen' but takes the whole 'advice to a younger self' starting point in a completely different direction. Self laceration? Check Brooding introspection? Check Catchy hooks and uplifting chorus? Check. Perfect. 

Wednesday, 2 September 2020

Sunday, 30 August 2020

Fantasy Festival number 16: The Lineup

Patricia Lalor: Fourteen year old Patricia Lalor is a singer/songwriter from Wexford, Ireland. She first came to the public's attention as a pre teen when her YouTube cover of Hozier's 'Cherry Wine' was praised by the singer as one of the best covers he'd ever heard. Since then, she's begun writing her own material and her work as been likened to SOAK and Billie Eilish. You can read an interview with Patricia here and her YouTube channel is here.

Mallrat: Grace Shaw is a musician, rapper, singer and producer from Brisbane, Australia. She released my favourite single of last year ('Charlie'), has toured with Maggie Rogers, and is on course to be a massive star. You can find out more here.

Arlo Parks: Arlo Parks is an 18 year old poet and singer/songwriter from London. She has been much championed by the BBC, particularly 6Music over the past year, especially for her single 'Black Dog' and her understated and elegant cover of Radiohead's 'Creep'. You can find out more here

Greentea Peng: Neo-Soul and self described 'psychedelic R&B' (thank you Wiki) singer Aria Wells is from South East London. Her most recent single, the uncharacteristically political 'Ghost Town', spoke out against gentrification and social cleansing in London, but she's more known for her mellow soul flavoured EP's. A debut album is awaited with considerable interest. You can find her on Soundcloud.

Self Esteem: Sheffield's Rebecca Lucy Taylor, formerly of Slow Club, has been having a lot of fun with her new slyly subversive pop and R&B orientated project, Self Esteem. You really haven't lived until you've been on the dance floor at a gig full of women screaming 'YOU DON'T OWE THEM ANYTHING!' back at her during 'Girl Crush', as my review of her set last year at Band on the Wall in Manchester will attest. Rebecca has supported Florence + The Machine in real life, specifically last year in Scotland, and Rebecca and Florence were, memorably, the stars of the first YourShelf podcast, which you can hear here. You can find Rebecca on Insta.

Kelsey Lu: US singer and cellist Kelsey Lu first came to my attention when she opened the Florence + The Machine headlined British Summer Time festival in Hyde Park, back in 2016. I was struck by the power and beauty of her voice, as well as the way her songs felt as much like soundscapes as regular songs. At that point she'd just toured the US with Florence and Grimes, had released a couple of EP's, and had been taken under the wing of Blood Orange's Dev Hynes. Her debut album Blood was released last year and included the beautiful single 'Due West' as well as an atmospheric and understated take on 10cc's 'I'm Not In Love'. You can find out more here.

Maggie Rogers: Even if you don't think you know the music of Maggie Rogers, you will know her song 'Alaska', and probably its story of how Pharrell Williams came to hear it, and love it, back in 2016. A prodigious songwriter, she released her first album in 2012 and, while her career up until 'Alaska' could be considered a bit of a slow burner, her most recent album, last year's Heard it in a past life, a fabulously catchy dance pop album fuelled by sophisticated songwriting and irresistible hooks, was something of a breakthrough. You can find out more here.

Florence + The Machine: South Londoner and BBC Introducing alumni Florence Welch has been making complex, idiosyncratic baroque flavoured pop and indie rock as Florence + The Machine since 2007. She has risen from playing the tea tent at Glastonbury as an unsigned artist in 2007 to headlining the Pyramid stage in 2015, and now sells out stadiums and headlines festival bills around the world. Since 2007, Florence + The Machine have expanded from being simply Florence and whoever she could get to play guitar for her to a full band, and most of the main nucleus of musicians from the 2008 period remain. The lineup currently stands at about eight people. You can find out more here.

Wednesday, 25 December 2019

Songs of the year, number 7: Self Esteem - (Girl) Crush



Self Esteem's debut album, Compliments Please, was one of the most eagerly anticipated albums of the year. She didn't disappoint and, ahead of the albums release, 'Girl Crush' one one of a string of strong singles that proved to be absolute floor filling bangers while subtly subverting contemporary R&B flavoured pop. All hail our new pop queen.

Friday, 6 December 2019

The big end of year round up post

Welcome to my annual end of year round up!

Rather than write a long, epic post, I've decided to slim things down a bit this year. As such, I'm not doing a list of gigs of the year (because there were too many good ones...) and, having given the matter some thought, I'm not providing a list of pieces I've written this year. There was some discussion on Twitter about this custom last year and I can see why people find the practice a bit obnoxious, so I'm sacking it off.

Also, because it seemed to go down well last year, I will be posting my songs of the year list in a series of day-by-day posts again. There will be 25 this year, and number 25 will be up online tomorrow.

12 albums of the year

12) Starcrawler - Devour You
11) Helen McCookerybook - Green
10) Honeyblood - In Plain Sight
9) The Regrettes - How Do You Love?
8) Hatchie - Keepsake
7) Miss June - Bad Luck Party
6) Ioanna Gika - Thalassa
5) Siobhan Wilson - The Departure
4) Billie Eilish - When we fall asleep where do we go?
3) Bat For Lashes - Lost Girls
2) Gazel - Gazel's Book Of Souls
1) Self Esteem - Compliments Please

12 books I've read and loved this year

Yrsa Daley Ward - The Terrible
Molly Bloom - Molly's Game
Hannah Ewens - Fangirls
Amy Raphael - A seat at the table
Stella Gibbons - Pure Juliet
Hilary McKay - The Skylarks War
Taylor Jenkins Reid - Daisy Jones & The Six
Amy Engel - The Roanoke Girls
Lucy O'Brien - Dusty
Nick Rennison - Bohemian London
Celeste Bell and Zoë Howe - Dayglo
Jordan Mooney and Cathi Unsworth - Defying Gravity



12 classic Podcast episodes from 2019

I think my overall favourite podcast this year has been Best Pick, the podcast that watches and discusses every single Oscar winning movie in random order. While every episode is riveting in scope and detail, it's worth noting that they're just as entertaining when the film disappoints as when it exceeds expectations. As such, listening to them eviscerating Gladiator is just as much fun as hearing them get excited about It Happened One Night. Their recent take on Gigi was a good one, but a favourite episode for me this year has been their take on Casablanca.

The BBC's Brexitcast has obviously had a lot of good material to work with this year, and while I can't remember which episode it was that featured the Dutch mascot for the Netherlands Brexit preparations, I did find their Saturday Night Leaver episode to be particularly hilarious. On a more serious note, the international collaboration with the World Service's Global News Podcast was particularly powerful. 


There's been some really good takes on work in podcast land in 2019, particularly in the areas of women and work, freelancing, and finances. Is This Working? was launched this year by Tiffany Philippou and Anna Codrea-Rado, and it featured a particularly powerful episode about class with Vicky Spratt, plus a very useful mediation on getting fired. There was also An Honest Account, Rachael Revesz' podcast, which covers the finance end of things, and included an episode with Anna Codrea-Rado about freelancing and finances, plus a powerful take on debt and being working class with Jasmine Andersson.


At the music end of things, Canadian punk DJ Siobhan Woodrow launched her podcast, She's A Punk this year, which included many powerful portraits of punk women around the world, including this episode with War On Women's Shawna Potter. Woodrow has recently announced she's taking a break from the podcast until the start of 2020, but she certainly doesn't sound like she's done yet. Far from it.




13 articles I've enjoyed reading this year

Catching up with the women who were expelled from school (Precious Adesina, Refinery 29)

The uninhabitable city: What happens when heatwaves become the new normal? (Hettie O'Brien, The New Statesman)

Work isn't working: The real reason more women are going freelance (Anna Codrea-Rado, Refinery 29)

Peterloo 200 years on: The Manchester bloodbath which left 18 dead and changed the course of British history (Dan Thompson & Damon Wilkinson, Manchester Evening News)

"We need this film now more than ever" (Nic Crosara, The Overtake)

Secret life of a fashion week peon (Lacy Warner, Narratively)



The diver who brings up the bodies (Sunaina Kumar and Farah Mohammed, Narratively)


How communism prepared me for a no-deal Brexit (Joanna Hosa, Financial Times)





First image by Joanna Kosinska on Unsplash

Second image by Ross Sneddon on Unsplash

Third image by Zoltan Tasi on Unsplash

Fourth image by Tim Mossholder on Unsplash




Friday, 28 December 2018

Songs of the year: Number 3



Self Esteem is the new project of Slow Club's Rebecca Taylor. Every song has been a winner so far, with irresistible hooks and hypnotic beats. She seems to be on a mission to recreate R&B into something altogether more arch and knowing while not losing the danceability of the thing.

'Rollout' is the standout track in a run of incredibly high quality tunes, and it will absolutely make your dancefloor this party season.

Friday, 26 October 2018

Spooky (but not in a Halloween sense) playlist compiling




This month's F-Word Music blog post is now up on the site. Because we are well into the period I like to think of as Peak Touring (new university term, end of year lists pending, Christmas wish lists being compiled...) there has been an awful lot of stuff to cram in this time. 

By comparison, the playlist was pretty easy and came together almost immediately. I think I had to move, maybe, two songs around and that was it, it was done.

It was when I was listening to it back that I realised how very apt a lot of the songs are in terms of the past year. A lot are very pertinent to the #MeToo era and, most recently, the Kavanagh appointment in the US. I feel as though I've been stockpiling these songs in my mind, and in my Spotify lists, just waiting for the right moment to put them all together. 

Some are from new artists, some are from established artists. Some were recorded for major labels, some were self released. But what they all seem to share is a kind of conscious or unconscious commentary on the state of womanhood and the world in 2018. 

I'm really pleased that so many artists have tapped into their inner rage this year. It would be nice to live in a utopian world, or at least a more restful one, but that seems remote and, as with all art, music reflects that. And provides a source of inspiration and solace in a fucked up world.

Image is the cover image for Laura Gibson's new album Goners. It is out now.