Monday, 23 December 2024

Songs of the year, number 1: Billie Eilish - LUNCH (Official Music Video)


Billie Eilish's 'LUNCH' is taken from her third studio album, the critically acclaimed Hit Me Hard And Soft. Like much of the album, it's an initially unassuming piece that sees the previously electronica focused Eilish swap samplers and machines for guitars. I wasn't sure about this at first because it felt, on first listen, as though Eilish was being perhaps steered towards a kind of universal pop direction that ironed out her previously displayed (and very endearing) idiosyncrasies. I'm still not sure to what extent that's the case, or if it's simply that she was very young when she started out and that this is all part of the growing process, but I was slightly discombobulated on the first listen.

'LUNCH's strength as a single is that it is an insidious ear worm that lodges itself gradually over time, which then prompts you to return to the song again and again. And it's when you return to it that you begin to realise what a subversive slice of pop it is. At once funny and self depreciating, there's a sweetness at the heart of this girl crush anthem that makes it as irresistible as its melodies and hooks. It will be interesting to see what she does next. 

Sunday, 22 December 2024

Songs of the year, number 2: Allie X - Galina [ft. Empress Of] (Official Video)


While I was personally disappointed by Allie X's 2024 album, Girl With No Face, it would be fair to say that it was a mood thing rather than a musical thing: Allie X has, this year, homed in on a kind of early 80s dark synth sound that just wasn't chiming with me, but which was perfectly serviceable from a musical perspective. It is, to be fair, very hard to dislike an artist who pens a mentalist slice of 80s industrial called 'Off With Her Tits'. 

The crystalline pop of 'Galina' also has its origins in 80s synth pop but it shimmers and shines in a way that sees it transcend its origins and become a dark pop anthem in its own right. The addition of Empress Of on the single version adds texture and additional layers to what was already a darkly complex piece. As is always the case with Allie X, the result is complex, sophisticated synth pop with a beating heart. Tremendous. 

Saturday, 21 December 2024

Songs of the year, number 3: Charly Bliss - Nineteen


While Taylor Swift, for a number of good and bad reasons, dominated the news in 2024, her latest album, The Tortured Poets Department, seems to have divided opinion with some perhaps seeking a more obviously pop sound than what Swift chose to provide them with. 

As such, it was an odd moment when, later in the year, US band Charly Bliss released their album Forever, because it really does sound like the Taylor Swift album that never was. Or the lovechild of everything that was good about John Hughes movies and mid 1980s pop. 

In recent years Charly Bliss have moved increasingly away from the bouncy 'bubblegrunge' sound of their earlier releases and, by last year, were hurtling full speed towards planet pop. It's fair to say that Forever and, especially, 'Nineteen' bear the hallmarks of that collision.

An unashamedly romantic, full on pop ballad, 'Nineteen' isn't ashamed to be what it is: A sentimental pop song with a big heart. It was born to be the final slow song at teenage dances, the one you weep to when you break up with your first big love, the one you sing blind drunk on New Years Eve. In short, it was built to soak up your emotions like a sponge and throw them right back at you with stardust and glitter. 

Friday, 20 December 2024

Songs of the year, number 4: Wasia Project - Is This What Love Is? (Visualiser)


Young brother/sister duo Wasia Project are comprised of William Gao and Olivia Hardy. The swooping, soaring, dreamy indie anthem that is 'Is This What Love Is?' was released as part of the duo's 2nd EP Isotope earlier this year and instantly proved itself to be an atmospheric classic. While much is expected of the band they are, wisely, taking it slowly and building their sound at their own pace. It is fair to say that their debut album, when it comes, will have been worth waiting for. 

Thursday, 19 December 2024

Songs of the year, number 5: Nick Mulvey feat. Golshifteh Farahani and Arooj Aftab - Freedom Now (Lyr...


While protest songs can sometimes come across as didactic and heavy handed, UK singer/songwriter Nick Mulvey's collaboration with Iranian superstar Golshifteh Farahani and Grammy award winning Pakistani artist Arooj Aftab has wisely stuck to a simple, universal message of freedom for all. The song was released in the first few months of 2024 as a fundraiser for the refugee charity Choose Love.

While it would be easy to try and suggest that the song is tying itself to specific battles around the world for freedom, with some suggesting it's for Palestine, or Ukraine, or for the women's rights movement in Iran, the beauty of the song is that it transcends all of the specific contexts anyone would seek to put upon it by sticking to a simple, straight forward message: Liberty. As they sing "Only Freedom will do."

Wednesday, 18 December 2024

Songs of the year, number 6: Pom Pom Squad - Spinning (Official Video)


Pom Pom Squad was unfortunate to see her debut album, 2021's Death Of A Cheerleader, a very credible, sophisticated slice of joyous punk pop, be eclipsed by the success of the similarly punk pop sounding Olivia Rodrigo and her album Sour. Rodrigo also shared Mia Berrin's interest in cheerleading iconography, and the word sour seemed to well represent Berrin's feelings when she heard/saw Rodriogo's work, not to mention the coverage of the young star all over the world's press. 

Three years on and Rodrigo has released two highly successful albums while Berrin has re-grouped, returning with her own second album Mirror Starts Moving Without Me. Her experiences over the past three years have informed her sound as well as her lyrics, with 'Spinning' striking a more sophisticated tone than 'Lux' or 'Red with love'. It's the sound of a young artist growing up and, while it's a shame that some of the wildness and youthful hedonism has gone, it's a sure sign that Pom Pom Squad is here to stay. 


Tuesday, 17 December 2024

Songs of the year, number 7: ZZZAHARA - GHOSTS (OFFICIAL VIDEO)


This charming slice of scuffed understated indie comes courtesy of US singer/songwriter Zzzahara, formerly guitarist with Eyedress, Simps and US Velvet. 'Ghosts' is a woozy tale of a post relationship haunting that has echoes of mid 1990s Pavement, but the vocals help it to soar above its influences, resulting in a shimmering anthem. 

Monday, 16 December 2024

Songs of the year, number 8: Zoe Graham - Even Though I'm Scared (Visualiser)


One of a number of singles the Glasgow singer/songwriter released this year, 'Even Though I'm Scared' showcases a growing maturity in Graham's songwriting, with a strong bridge and soaring chorus. It's a sophisticated slice of indie rock that her heroine KT Tunstall would have been proud of. 

Sunday, 15 December 2024

Songs of the year, number 9: Sabrina Carpenter - Espresso (Official Video)


In a year when we were spoilt for choice when it came to summer anthems, Sabrina Carpenter's 'Espresso' was the true anthem of summer. Frothy like its coffee namesake, the track bounces along in a flurry of soft vocals and mild sass, irresistibly worming its way into your earlobes and heart. Certainly Carpenter was very much the face of 2024 in many ways, knocking out number one single after number one single, and you can fully expect to be hearing her songs on overseas karaoke and club playlists for years to come. 

Saturday, 14 December 2024

Songs of the year, number 10: Childish Gambino - In the Night ft. Jorja Smith & Amaarae (Audio)


This stylish collaboration between US rapper and auteur Childish Gambino, UK R&B diva Jorja Smith and American-Ghanian singer/songwriter Amaarae has all the hallmarks of a summer anthem. Which is saying something in a year that was really quite crowded with summer anthems (shame there was no summer really...). 'In The Night' has an irresistible hook that really complements the light, bouncy energy of the track overall, guaranteeing it will be stuck in your head for days afterwards. 

Friday, 13 December 2024

Songs of the year, number 11: BIG SPECIAL - BLACK DOG / WHITE HORSE (Official Video)


Taken from the black country bands debut album PostIndustrial Hometown Blues, 'Black Dog/White Horse' is a slice of moody, brooding, highly atmospheric melodic post punk. They've recently been collaborating, and touring, with John Grant and have not long returned from a set of European and Australian live dates. Further live dates, with John Grant, will be happening in January. Definitely ones to watch. 

Thursday, 12 December 2024

Songs of the year, number 12: LE SSERAFIM (르세라핌) 'EASY' OFFICIAL MV


Le Sserafim made their Korean debut in 2022 but didn't make their English language debut until last year. 'Easy', taken from the EP of the same name, was a massive critical hit earlier this year, earning the K Pop band oodles of coverage and attention. The song is glitchy pop ear worm at its best, with a hook that will not give in and strong beats. It's fair to say we'll be hearing from them again soon. 

Wednesday, 11 December 2024

Songs of the year, number 13: Efterklang – Plant (Official Video) ft. Mabe Fratti


Danish indie gods Efterklang returned this year with an album of thoughtful songs, of which 'Plant' was the standout. An unassuming, gently anthemic track, 'Plant', which features backing vocals from Mabe Fratti, weaves it's way into your soul like a cat made of mist and smoke. Elegant and understated indie perfection. 


Tuesday, 10 December 2024

Songs of the year, number 14: Dua Saleh - want (Official Video)


Sudanese American artist Dua Saleh will be embarking on a massive US and (much shorter) European tour in the new year, including two UK dates (London and Manchester). Their album, I Should Call Them, is out now and 'want' was very much it's calling card. A forthright tale of lust and obsession, it's propulsive electronic beats and glitchy R&B flavours made it a sure fire attention grabber. Expect to hear more from Dua in 2025. 

Monday, 9 December 2024

Songs of the year, number 15: Desire - Dangerous Drug


This epic slice of glacial electronica was one of a number of new tracks the Canadian duo released this year. Spacious and stylish, it glides along on half whispered vocals and chunky 80s synths. A classic. 

Tuesday, 3 December 2024

2024 End of Year Roundup

 

Photo by Ankhesenamun on Unsplash

Welcome to my 2024 end of year roundup. It's been a funny year for several reasons, and this is going to be a shorter post than usual, but rest assured that my annual songs of the year series of posts will be coming soon.

Gigs

I didn't go to many gigs this year, in fact, the only gig I did get to was Helen Mccookerybook and David Lance Callahan at the Tallyrand in Levenshulme in April. I could have gone to see Allie X play at Gorilla and, while I did consider going, in the end I ruled it out because I wasn't that keen on the new album. 


Album of the year

The Last Dinner Party, Prelude To Ecstasy

Perhaps the most hotly anticipated debut album of the year, nay decade. And they did not in any way disappoint. 

A tight, highly atmospheric album of glam rock inspired melodramas and anthems which satisfies on every level. 


Event of the year

Florence + The Machine, Symphony of Lungs at the BBC Proms, Royal Albert Hall.

It goes without saying that I would have loved to have attended this concert, but as it was taking place in the early days of September on a weekday, I had absolutely zero chance of getting the time off work. I'm not sure I could have afforded the ticket, hotel and coach or train fares anyway. Luckily the BBC broadcast it twice, once live on Radio 3 and secondly about a month later on BBC2, where this unique 'Symphony of Lungs' could be appreciated in its full sumptuous sonic and visual splendour. It's being released on vinyl and CD in March, so naturally I have it on pre order. 


Books I've read and loved this year

Tamora Pierce, Tortall: A Spy's Guide

Tim Mohr, Burning Down The Haus

Paul Hanley, Sixteen Again

Oliver Postgate, Seeing Things

Kirk Field, Rave New World

Lizzy Stewart, Alison

Chris and Jenn Sugden, High Vaultage

DBC Pierre, Vernon God Little

John Green, The Fault In Our Stars


Top 5 Detective TV Show themes 

5) Sister Boniface Mysteries

4) Death in Paradise

3) Mrs Sidhu Investigates

2) Whitstable Pearl

1) The Turkish Detective


Articles I've found interesting/enjoyable this year

How the rental crisis is threatening the UK's music scenes by Laura Molloy (NME)

I am facing my second no-fault eviction in two years. Renting is broken by Ruby Lott-Lavigna (Open Democracy)

The Death of Shame by Jonn Elledge (The Newsletter of (Not Quite) Everything)

After 14 years of dead ends, here are three ways Labour can rejuvenate UK public transport by Jonn Elledge (The Guardian)

295 Days Gone by Jonn Elledge (The Newsletter of (Not Quite) Everything)

Fad's Army by Jonn Elledge (The Newsletter of (Not Quite) Everything)

I, for one, will mourn Twitter by Jonn Elledge (The New Statesman)

multi-storied #36: The idyll by Samanth Subramanian (multi-storied)

Memoir Draft: Chapter 1. Going into Care by Matt Taylor (Underclass Hero)

'Blue Plaque' at Walthamstow Tesco honours lettuce that outlasted Liz Truss by Martin Belam (The Guardian)


Songs of the year will begin on the 10th of December

Friday, 26 July 2024

Zoe Graham - Even Though I'm Scared (Visualiser)


In her press release for 'Even Though I'm Scared' Graham says "It's a bit feart to rear it's little head into the world, so please show it some love." This was never going to be a problem because, with three E.P's and two singles behind her, the Glasgow songwriter is clearly coming into her own with this release. 'Even Though I'm Scared' is musically textured, with a great hook leading into the chorus and it just soars, along with her vocal. This could be the one to get her the wider attention she really deserves. 

Thursday, 25 July 2024

Allie X - Galina (Lyric Video)


I must confess, I was disappointed by Allie X's new album, Girl With No Face. Not because it was in any way bad, but because I just hadn't expected her to take things in such a dark, early 80s electro direction and, as such, wasn't ready for it. I may change my mind in time, but for now, it's not for me. 'Galina' is, for me, the album's standout track and I feel like it represents a nod to the crystalline pop of X's previous outings, especially Super Sunset, and despite (or perhaps because of) its overwhelming sense of grief, it is a flawless slice of sophisticated electro pop.

Wednesday, 24 July 2024

Dua Saleh - want (Official Video)


A simple r&b/electro take on desire, Dua Saleh's 'Want' is a force of nature, an irresistible ear worm that makes you want to return to it again and again. Saleh's background was initially in community activism and poetry rather than music, but they found themselves drawn to the idea of making music in 2017 upon realising that poetry wasn't enough for them, and that they needed music to provide a more cathartic form of release. This probably reflects the intensity of their music, and gives it such an unyielding drive. We will be hearing more from them in the future.

Tuesday, 23 July 2024

Wasia Project - Is This What Love Is?


Brother/Sister duo Wasia Project, comprised of Olivia Hardy and William Gao, have been making low key thoughtful indie pop with jazz influences since 2019. 'Is This What Love Is?' is their second most recent single and I like the way it builds slowly with complex piano before the elegant swoop of Hardy's vocals drive it on. It's a musically complex, textured piece with a strong mood and a beautiful elegance and sophistication that really showcases what the duo of Hardy and Gao can do. 

Monday, 22 July 2024

Say She She - Reeling [OFFICIAL MUSIC VIDEO]


I first heard Say She She on Lauren Laverne's 6Music Breakfast Show at the tail end of 2023 and thought that they sounded like an exciting breath of fresh air. 'Reeling' really reminds me of the energy of late period Raincoats but with more of a disco influence than a reggae one. It sparkles and shimmers with a giddy kind of energy and glee that I'd like to hear more of. The phrase they use in the bio on their website is "disco-delic", which I like. 

Wednesday, 12 June 2024

My new favourite bus route: The 385


Moving to a new area is always hard but sometimes it’s the little things that catch you out. When I moved back in with my dad in January, I had thought that I’d be OK with the buses. But I was wrong.


My first two days back at work went like this:



Day One:


  • Snow
  • The 384 didn’t turn up
  • I got on the 358 and realised too late it didn’t do the same route as the 384
  • I was late for work



Day Two:


  • I had a long, boring, dangerous walk to the A6 down a road where pavements are semi optional
  • I realised that there are less 192’s serving the Hazel Grove end of the route than the Stockport-Manchester end of the route, entailing longer waits for a bus
  • There was a bad accident on the A6
  • All the Offerton/Marple buses were stuck on the wrong side of the police cordon
  • I had to walk home


“I think I might get a bike” I concluded to my dad as I eventually walked through the door at the end of day two.


And then, the 385 entered my life.


I had originally discounted this bus on the basis that it was the direct descendant of the notoriously unreliable 375, and I just assumed that it would be equally as bad. But I was wrong.


A brief history of the 375


The 375 has been a part of my life forever. I used to catch it with my sister and my mum between Hazel Grove and Stockport when it was a circular bus route travelling between Ashton and Stockport, taking in both Hazel Grove and Bosden Farm estate. And it was always epically, operatically late. 


This was in the years immediately after bus deregulation (1986 onwards). As time passed the 375 became less frequent (once an hour) and no more reliable. It was also, inevitably, taken over by Stagecoach who colonised the whole of South Manchester, leaving North Manchester to their rivals, First. 


In these years the 375 essentially saw itself split in two, with one route covering Ashton to Stockport, the other covering Stockport to Bosden Farm estate, via Hazel Grove. You’d have thought that this would have made it more reliable, but it didn’t: It was still always late. To add insult to injury, it wouldn’t always stop for you even if you were at the bus stop: If you didn’t hail it in a suitably enthusiastic fashion (waving of arms, jumping out into the road) it would often simply drive past you, and there were other instances of maverick driver behaviour.


Sometimes you’d get the driver who would pull up on the A6 and jump out, closing the door behind him. Novice 375 riders would look anxious and whisper to each other “What’s going on?” Regulars would sigh wearily and reply “He’s gone to place a bet at William Hill.” The same driver turned up a number of years later on the 192 route, still doing the same routine.


Because the 375 was so unreliable, the younger and fitter residents of Hazel Grove would often just walk into the centre and pick up the 192 on the A6 if they wanted to go anywhere: It was faster, there were more of them (thanks to a series of bus wars over the route between Stagecoach and UK North which were an on/off occurrence for the best part of 2 decades…) and it was generally less hassle all round.


The 375 was haemorrhaging passengers by the late 1990s, and it had become the preserve of the elderly and infirm: those who didn’t have the option of abandoning it for the 192. The route was changed in the early 2000’s with the bus travelling beyond Bosden Farm estate to Marple, Hawk Green, Marple Bridge and Mellor. It was this last destination that would be the key to its survival as COVID-19 hit in 2020.


Save The 375


In 2020, as the UK floundered under the first wave of Covid and the first lockdown, the 375 was at risk of extinction. Not because of the pandemic, but because (as had happened at least once before) Stagecoach were complaining to Stockport Council that it was unprofitable and that they therefore couldn’t see the point of running it. 


The residents of Mellor, who had no other bus route serving them, felt rather differently about the matter and it was as a direct consequence of their campaign, of coverage of their concerns by the Manchester Evening News, and of campaigning by Better Buses For Greater Manchester around the Hazel Grove/Offerton border and Bosden Farm estate area that the 375 was saved. The route was put out to tender and a different bus company (Little Gem; a name that was a blast from the past, having previously run buses in Greater Manchester in the post 1986 period) took it on, with subsidy from Stockport council.


The Bee Network


After years of campaigning, two public consultations and two judicial reviews, The Bee Network revolution finally began in 2023, with the first tranches of Greater Manchester’s bus network being taken back under public control for the first time since 1986. The new interchange and updated bus stops aside, the impact on Stockport is negligible at this point. This is because Stockport is in the final tranche to be “done”, and as such we won’t see our buses taken back into public control until January 2025.


Save the 375 (again…)


It was certainly business as usual for the 375 in 2023, as, following the collapse of Little Gem in April, and attempts by TfGM and Stockport Council to find an alternative provider to cover the route, Stagecoach somehow managed to regain control of the new version of the route when the service was divided up again. The new version covers Stockport, Heaviley, Offerton, Hazel Grove and Hawk Green while the newly created 385, run by D&G, covers Stockport, Offerton, Marple, Marple Bridge, and Mellor. Not only was it the end of an era, there was also a sense that the victory gained by campaigners in 2020 had been overshadowed by the collapse of Little Gem and the latest coup by Stagecoach. We had thought that the route was safe until it could be taken back into public control. We were wrong.


The phoenix like rise of the 385


This should have been the end of the story but there’s an unexpected twist which is that people genuinely love, and trust, the 385. 


The residents of Mellor, Marple, and Bosden Farm in particular really love that little red bus that comes once an hour. There’s even a video on YouTube of someone travelling on an empty 385 between Marple and Hawk Green (it is busy at certain times of the day, at other times... less so), and everyone seems to have downloaded the D&G bus tracker to their phones. This is particularly touching because the 385 is literally the only bus in Stockport (or indeed Greater Manchester) that is run by D&G. 


Rude


Why do people like it? Because it turns up, usually on time (and if not on time, within 10 minutes) and when it arrives you have friendly drivers who say hello to you and you see the same people on the bus a lot. People talk to each other at the bus stops and it’s like a community, an old fashioned outlier in a fragmented bus network, one which is slowly being brought back into public control.


Save the 385


The question now is whether this bus route, which has only existed since July 2023, will be saved when Stockport joins the Bee Network in January 2025. The press statement issued by Stockport Council when the 385 launched suggests that the route is only guaranteed to exist until January 2025. After that date, all bets are effectively off, the residents of Mellor may well find themselves without a bus route, and the residents of Bosden Farm estate may well lose one of its two bus routes. It is to be hoped that Andy Burnham, TfGM and the GMCA will realise the impact that this small once an hour bus service has on communities at the southern end of the TfGM zone. 


To be continued…

Sunday, 28 April 2024

Helen McCookerybook and David Lance Callahan at The Talleyrand, Levenshulme


I went to see Helen McCookerybook and David Lance Callahan play at the Talleyrand in Levenshulme last night as part of their UK tour. They'd played Newcastle on Friday night, where it was freezing apparently. 

The Talleyrand is friendly little pub on the A6, just opposite Levenshulme Antique Market. Up front it's a regular bar, and the gigs take place in the back room.

The small, friendly, intimate nature of the venue was perfect for Helen McCookerybook's brand of wry acoustic and semi acoustic observational songs. She began her set with 'A Bad Day', which pairs well with later track 'A good life with a bad apple'. There was also the "bit smutty" satire of 'At the bathing pond', the understated but soaring call to arms 'Women of the world', a two fingered salute to Mr Musk ('So Long Elon'), lockdown optimism in the small things 'Coffee and Hope' and the idiosyncratic 'Mad Bicycle Song'. She was on sparkling form, interacting well with the audience who warmed to her increasingly as the set went on. There was even a one woman version of The Chef's 'Let's Makeup', which went down well.

I wasn't sure about David Lance Callahan's first song, which was a slow, guitar only one. He was joined by a very charismatic drummer (sporting a pork pie hat and braces) for the rest of the set though, and I got into it more after that. In addition to the hat he also had an impressive selection of well deployed percussion instruments, and a style of playing that I really enjoyed watching.

I only have vague memories of Moonshake, David's previous band, in that I think they were in the process of splitting up around the time I first started listening to John Peel. The music he was playing last night did remind me of what Moonshake were doing though, in that there was a complexity of sound and a kind of brooding quality to a lot of it. At the same time, you could tell that he'd emerged from a band who appeared on the C86 compilation (The Wolfhounds). There was that post C86 jangly indie pop sound to some of the tracks, though he used these moments judiciously and sparingly, making the audience wait for them. 

I feel like David Lance Callahan and Helen McCookerybook both critique and satirise the mores of contemporary society, often highlighting deeply dystopian aspects, but in quite different ways. His songs feel darker, but hers are just as scathing. The difference is in the musical delivery: Sometimes you smile while sticking the knife in, sometimes you just stick the knife in.