Tuesday, 31 August 2021

Cinema's women and music problem - Revisited


I think what, ultimately, inspired me to write a piece about how cinema has, over the years, depicted women musicians in fictional narratives was the number of films I watched as part of my research into women and punk. 

There are some good ones, both from the punk era and beyond, but there's also some absolute shockers and - ultimately - I have yet to encounter one that feels both accurate and positive enough to serve as a celluloid inspiration for would be female musicians. 

What followed were a series of slightly untidy musings on the topic, which became this piece. I've never been entirely happy with the resulting piece, although I know it was the best I could make it at the time. It hasn't had a lot of love so if you do fancy taking a look at it, I'd be very happy. 

Photo by Jeremy Yap on Unsplash

Monday, 30 August 2021

How I unwittingly made an analogue podcast in 1996 - Revisited


Today's piece from the Medium archive is the one that has, consistently, performed the best for me on the platform. That is; the ratio of views to actual reads is the highest of all the pieces I've published on Medium, and I'm not sure why. Possibly it is the one that came the closest to the kind of pieces that tend to be published on the platform, possibly its just a bit of a quirk that I benefitted from in some way. Given the modest origins of the piece, I'm actually quite happy about that. 

It was inspired by the same 1990s analogue nostalgia that fuelled my earlier piece about my collection of 7" singles, and maybe people just really like a bit of quirky nostalgia? I don't know. 

Photo by Markus Spiske on Unsplash

Friday, 27 August 2021

Zuzu - Timing (Official Video)


Rising star ZuZu had the unique experience of being the first person to play to a live audience in the UK in 2021 when she was the opening act at a Blossoms gigs that was the first live music event to be included in the UK's Covid test event programme.

This video is a neat salute to Tomb Raider but it also gives the resourceful Liverpudlian an excuse to explore Queensway tunnels, which connect her native Liverpool with Birkenhead, and which serve as an imaginative and atmospheric backdrop to this surging, guitar driven catchy slice of indie pop. A strong contender for song of the year this one. 


Thursday, 26 August 2021

Sleater-Kinney - Worry With You (Official Video)


I just really love the idea that Sleater-Kinney have reached a point in their career where they can basically do whatever they want now. That ease and confidence is all over this initial single from the Path of Wellness album, and it is all the better for it. 

Wednesday, 25 August 2021

Desire Marea - Tavern Kween [Single Mix] (Official Video)


I can't remember exactly what the story is behind this track but, if I remember rightly, it's an elegant salute to  Desire Marea's aunts and their boldness is going out, having a good time, and entering and enjoying themselves in very male dominated social spaces, such as taverns. It has an evocative urgency that feels very summer 2021. 

Tuesday, 24 August 2021

All the things you can buy for the cost of a train fare to London - Revisited


In late 2018, I got thinking about how extortionate the train fare from Manchester to London is. It was on my mind because I knew that the new fares would come into play on the 1st January 2019, and I thought that I could have a lot of fun writing a listicle about all the various fun, frivolous, useful and un-useful things you could spend the money on instead.

I had a lot of fun with this piece, and it's one of the few that actually got some interaction and feedback within the Medium community itself. 

I've since used it a few times to get paid work writing about public transport in the UK. 

Photo by William McCue on Unsplash

Monday, 23 August 2021

Marlena Shaw - Touch Me In The Morning (Disco Mix).wmv


Notching up the drama of the Diana Ross original, and adding a disco beat. This is a work of art, and you can thank the breakfast show on 6Music and Lauren Laverne for introducing me to it earlier this year. 

Sunday, 22 August 2021

Overcoats - Blame It On Me feat. Lawrence Rothman (Official Music Video)


One day, someone will write, if not a Phd thesis then at least an undergraduate essay on the impact of COVID-19 on music videos. About how artists, unable to get together with large casts and crews to film videos, used a variety of innovative techniques and approaches to nonetheless make memorable video art. Overcoats and Lawrence Rothman's 'Blame It On Me' is an exemplary take on this. It takes a very simple setting and a minimal cast to create something that matches the spirit of the song while at the same time being beautiful for its own sake. 

Saturday, 21 August 2021

Niia - Not Up For Discussion (Official Video)


A collaboration with Khruangbin's Laura Lee, this slinky track is taken from Niia's 2021 album If I Should Die, and it's a deceptive ear worm of a song. Niia has always been good at world weary smooth soul but she has excelled herself on this one. 

Friday, 20 August 2021

Olivia Rodrigo - drivers license (Official Video)


Olivia Rodrigo looks set to be the Girl of The Year and, to be honest, she's earned it. 'Drivers License' was her calling card and with its overwrought, often sweary, take on the demise of first love she stamped her mark on the music world of 2021. Her album is out now and has gained critical and public acclaim so her star seems set and she will be well worth keeping an eye on over the next year or so. 

Monday, 16 August 2021

A lyrical history of Girl Power - Revisited


I have, over the years, written about the origins of the Spice Girls "Girl Power!" slogan a number of times (it tends to crop up whenever I'm writing about Riot Grrrl) but I hadn't specifically written about the lyrical origins of the phrase before. 

I decided to do so in 2018 because the Spice Girls were reforming at the time and, while it might seem mean spirited of me, I can never resist the urge to take a few shots at the myth that they were "The first girl band ever!" (Um, The Shirelles?, The Supremes? Bananarama? The fricking Nolans? I could go on...) or "They were the most ground breaking girl band ever" (I think there's a few earlier bands - The Go-Go's for one - who could make a more convincing claim for that...) 

Funnily enough, no one has ever (to my knowledge) made any great claims about the quality of their music or lyrics, so a discussion about the lyrical origins of Girl Power seemed overdue really. 

Photo by Valentina Conde on Unsplash


Sunday, 15 August 2021

A 1990s teenage soundtrack, on vinyl - Revisited

 

The second piece I wrote for Medium came out of a series of unusual circumstances. 

Around the time that I began writing for Medium, my laptop (the same laptop I'm typing this on...) was having a few problems and needed to spend some time at the laptop hospital. This meant that I was without a computer for 7 days.

I decided to take advantage of the situation by having a decidedly analogue week, which included extensive re-visiting of my collection of 7" singles.

The resulting piece was basically an ode to that box of 7"'s...


Saturday, 14 August 2021

An ode to home taping for Cassette Store Day back in 2018


"During the 1980s, record companies (who, thanks to the launch of the CD, were hardly short of cash at the time) ran an aggressive anti piracy campaign featuring a cassette skull and crossbones logo which claimed, in big, stern letters that Home Taping Is Killing Music.

If the intention was to scare people into not doing it, it didn’t work.

Years before downloading and torrenting, taping off the radio was both illegal and normal: You never heard of anyone being prosecuted for it and the idea of the police descending on eight year old bootleggers seemed, not only unthinkable, but also ridiculous."

The short extract above is taken from the first piece that I wrote for Medium, back in 2018. I was being very cautious, just trying it out to see what happened and was pleased to find that the piece was well received at the time, and continues to get a bit of a surge in readers whenever Cassette Store Day rolls around each year. 

Friday, 13 August 2021

I have just released all my Medium posts into the wild


I've had a fairly mixed experience of the Medium platform since I signed up for it in 2018. I had it recommended to me by a friend of mine who knew I wanted to monetise my writing. She'd tried it and found it useful, though she did warn me that I probably wouldn't earn very much money from it. Given that I was trying to get more freelance journalism work at the time, it seemed worth a go.

On the whole, I would say that the process of actually using Medium has been a positive one: It's an easy to use interface, very intuitive, with a nice clean design. It looks good when included in portfolios and some of the pieces I've published on the platform have, I know, directly led to paid work commissions. So it was definitely worth doing. 

On the downside, I haven't made very much money from it's Partner Programme and I realised quite quickly that this is because the kind of pieces I want to write are, on the whole, not the kind of pieces Medium members especially want to read. The majority of people who read my stories on Medium, in fact, tend to come from referrals from (My, Other People's) Twitter and (Other People's) Facebook posts, meaning I can get respectable views and OK ish read figures, but I don't earn much income from them.

On Wednesday, Medium sent an email out - as they often do - detailing improvements and changes that they are making to the platform in the coming weeks and months. One of the changes they announced was a gradual phase in of changes to the Medium Partner Programme, which previously hadn't had an eligibility criteria (unless you count the steps and checks you need to go through in order to set up digital payments) but which will now require those applying to have 1) Published at least one story on Medium previously 2) Have at least 100 followers on Medium 3) Post at least one post every six months.

Now, personally, I think rules 1 and 3 are fair enough, and you can make a case for 2 as well, given that Medium is essentially a longform version of social media.

Still, 2 presents a crucial barrier to me: I only have 27 followers on Medium.

Which is really my own fault for not interacting and engaging with people on the platform very much. Oh, and the aforementioned problem of not writing the kind of stories Medium members want to read - that obviously hasn't helped either.

You can use Medium and not be part of the Partner Programme so, knowing that I basically had until the 31st December to gain (and keep) 73 extra followers or else be booted off the programme, I decided it would be better all round if I just reverted to the basic, non monetised form of membership.

When you join the Partner Programme, you have the option of monetising your stories, but to do so you have to put your stories behind a paywall. This obviously limits the access that readers who aren't members of Medium have to your stories. You can mitigate those limits, to an extent, by posting your stories to social media, newsletters etc using your friend link, which allows those who click on it to bypass the paywall, but it does still potentially mean that there will be people clicking on the story outside of Medium who won't be able to read it. For a lot of authors, this trade off will be a price worth paying but, because most of my readers aren't members of Medium, it has been a bit of an arse in my case.

Now that I've left the Partner Programme, all of my stories have been released back into the wild again. That is, they are no longer behind the paywall and anyone with an internet connection is now able to view them in their entirety. Similarly, any future stories I publish on Medium will also not be behind the paywall and anyone will be able to view them. 

This is good news for those of you reading this who may have been prevented from reading some of my stories before and, as such, I intend to post the links to each of my 11 stories (so far) from Medium over the coming days and weeks, with a little bit of info on how I came to write each one.

I hope you enjoy them.

Photo by hannah grace on Unsplash



Wednesday, 11 August 2021

Thomas Dolby - Hyperactive - The Old Grey Whistle Test (1984)


I think what I like the most about this live clip of Thomas Dolby and his band is the way that absolutely everyone involved on stage looks like they should be in a different band from everyone else. 

This never happens anymore. 

Tuesday, 10 August 2021

Indigo De Souza - Hold U [Official Music Video]


Taken from Indigo's upcoming album, 'Hold U' is a sweet, understated, moving song with an absolutely irresistible video. The upswing from understated minimalism to understated minimalism with danceable vibes suggests the album could be a good late summer listen. Looking forward to it. 

Monday, 9 August 2021

Sunday, 8 August 2021

Saturday, 7 August 2021

Florence + the Machine - Call me Cruella (From "Cruella"/Official Lyric ...


It definitely feels as though Florence Welch had a lot of fun with this end of film, roll the credits song for Disney's take on the imagined backstory of the 101 Dalmations villain. While I'm not sure as to how Dodie Smith would have felt about this most un-Disney of tales, a story in which our young anti-heroine enters the world of 1970s haute couture at the bottom and ends up being... well, Vivienne Westwood essentially, but Smith was a woman who knew how to write transgressive female characters, so I'd like to think she'd approve. 

This Florence + The Machine track sits on a soundtrack album made up of discerningly picked tracks from the late 1960s and early-mid 1970s, and definitely comes across as the kind of music Welch would have inhaled as a youngster, so it seems most apt that she has penned a track that not only sits very nicely alongside them but also neatly summarises the film she's soundtracking, while also referencing briefly the original Disney 101 Dalmations

Friday, 6 August 2021

Noga Erez - Cipi (Official Video)


The latest single from Erez's muscular electro pop album with edges, KIDS, 'Cipi' feels slightly subdued when set against high octane tracks such as 'End of the road', 'VIEWS' or 'Story', but it's a subtle and effective ear worm that stays with you. Well worth a listen. 

Thursday, 5 August 2021

Self Esteem - I Do This All The Time


Perhaps THE song of the year, Rebecca Lucy Taylor's opening shot from her soon to arrive second album, Prioritise Pleasure, takes it's inspiration from Baz Luhrman's 'Sunscreen' but takes the whole 'advice to a younger self' starting point in a completely different direction. Self laceration? Check Brooding introspection? Check Catchy hooks and uplifting chorus? Check. Perfect. 

Wednesday, 4 August 2021

Billy Nomates - Heels


One of this years stand out singles, 'Heels' came out at the start of 2021 and, I swear to God, on first listen it was like listening to Bette Davis fronting an electro punk band. There will be comparisons to artists such as Sleaford Mods but, with 'Heels', Billy Nomates is stamping her calling card good and hard. Long may she rein. 

Tuesday, 3 August 2021

Caroline Polachek - Bunny is a Rider (Official Video)


Chairlift singer Caroline Polachek has been everywhere these past couple of years. 'Bunny Is A Rider' is a new track released ahead of a huge tour the singer will be embarking on in autumn. I'd expect an album to be incoming as well and, if this clipped, sophisticated slice of electro is anything to go by, it should be good.

Monday, 2 August 2021

MØ - Way Down (Audio)


Taken from MØ's 2018 album, Forever Neverland, we find the Danish singer/songwriter and producer in sweary hedonistic mode here as she takes us on a dizzying tour of classic class of 2018 lyrical tropes and left of field musical flourishes. A stylish piece, and good for summer. 

Sunday, 1 August 2021

Blue Hawaii - I Felt Love (Official Video)


A perfect slice of exuberant- but - achingly - cool electro pop from summer 2020, which is well worth a second go one year on.